Letter from James Meredith and wife Sarah Meredith to their son John Meredith dated 1821. Sorry to hear he was ill on voyage, regards to Mr George Meredith and family - glad to hear they were well, sending letter with packet of newspapers by "Hope" and also letter in March by Mr Dunn, news of King, harvest, high rates and tithes, insurrection of Greeks against Turks.
Letter from James Meredith and wife Sarah Meredith to their son John Meredith dated 1821. Sorry to hear he was ill on voyage, regards to Mr George Meredith and family - glad to hear they were well, sending letter with packet of newspapers by "Hope" and also letter in March by Mr Dunn, news of King, harvest, high rates and tithes, insurrection of Greeks against Turks.
Letter from James Meredith and wife Sarah Meredith to their son John Meredith dated 1821. Sorry to hear he was ill on voyage, regards to Mr George Meredith and family - glad to hear they were well, sending letter with packet of newspapers by "Hope" and also letter in March by Mr Dunn, news of King, harvest, high rates and tithes, insurrection of Greeks against Turks.
Letter from James Meredith and wife Sarah Meredith to their son John Meredith dated 1821. Sorry to hear he was ill on voyage, regards to Mr George Meredith and family - glad to hear they were well, sending letter with packet of newspapers by "Hope" and also letter in March by Mr Dunn, news of King, harvest, high rates and tithes, insurrection of Greeks against Turks.
Lantern slide of James Backhouse. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Framed caricature of John Turner, father of J.G. Turner and grandfather of Col. Turner. In the early days of Hobart he had a woodyard on the land in front of Parliament House. It was then the Customs House.
Pencil and watercolour on paper sketched by Olive Pink, Tortanga Quatcha, Macdonnel Range, Northern Territory, 26/11/30. Identified by Olive Pink as Jonidium
Photograph of Kangaroo Bay (Bellerive) on Hobart's Eastern Shore from hill showing wharf and houses c. 1882. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Photograph of Kangaroo Point (Bellerive) Beach on Hobart's Eastern Shore looking toward settlement c. 1882. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Eighteen captioned fold out black and white images in proprietary post-able envelope. Showing views of Launceston. From envelope : 18 Selected Views, Launceston, Tasmania Launceston. Produced by Murray View, Gympie, Q
Seven small captioned black & white images in proprietary envelope showing views of Launceston. From envelope - Valentine's Snapshots. Eight real photographs. Launceston, Tas, No. 1. Published by The Valentine Publishing Co. Pty. Ltd. Melbourne and Sydney.
Seven small captioned and numbered hand coloured images in proprietary envelope showing views of Launceston. From envelope - Valentine's Snapshots. Eight real photographs. Hand coloured. Launceston, Tasmania, No. 2. Published by the Valentine Publishing Co., Melbourne and Sydney.
Photograph of Launceston, Tasmania, from beyond the Cataract Bridge in about 1881. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets, Hobart, from 1869 until 1891.
Photograph of Launceston from Windmill Hill looking north taken in c1881. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Photograph of the Town Hall in Launceston, Tasmania. The photographers were Anson Brothers who had studios in Liverpool, Collins and Elizabeth Streets, Hobart, between 1878 and 1891.
Collection consists of some of the papers of John Leake (1780-1865) of Rosedale, near Campbell Town, pastoralist, justice of the peace, member of the Legislative Council and a former merchant of Hull and Hamburg, who settled with his family near Campbell Town, Tasmania, in 1823, and of his family, including his youngest son Charles Henry Leake (1819-1889) whose heirs inherited Rosedale.
Watercolour and pencil on paper sketched by Olive Pink at Horseshoe Bend, Central Australia, 1930. Identified by Olive Pink as Lidiosus glaucifolius (?)
Photograph of Liverpool Street Hobart at the intersection of Elizabeth Street. Show gas lighting taken about 1870. The photographer is Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Photograph of Liverpool Street Hobart taken from just before the Elizabeth Street intersection around the turn of the century with horse drawn carriages in the foreground. The date is assumed from the presence of electric power poles which were introduced in 1898.
Photograph of Liverpool Street Hobart taken around the turn of the century showing horse drawn carriages in the foreground. The date is assumed from the presence of electric power poles which were introduced in 1898.
Lantern slide of Liverpool Street, Hobart. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Pencil and coloured pencil on paper sketched by Olive Pink, Darwin, Northern Territory 27/10/30. Identified by Olive Pink as Loranthus amplexans, Mistletoe
Water colour and pencil on paper sketched by Olive Pink, Jay Creek, Northern Territory 27/12/30. Identified by Olive Pink as Loranthus miguelii "veins in leaves lighter and more yellow than leaf - flowers bright red"
Photograph of north Macquarie Street from the Mercury office (with verandah) corner Macquarie and Argyle Street. Showing the Hobart Town Hall, Franklin Square and the Treasury buildings. Photographed byy Anson Brothers whose firm was located in Liverpool, Collins and Elizabeth Streets. Taken before September 25 1866, as this is the date of the grand opening of the Town Hall, shown on the left-hand side of the photograph
Photograph of Macquarie Street looking south from St. David's Cathedral in about 1893 showing two electric trams. The photographer is J.W. Beattie whose studios were located in Elizabeth and Murray Streets from 1891 until 1994
Watercolour on card sketched by Olive Pink, "Native Gap" ( Aileron Stn.), 1960. Identified by Olive Pink as Macrocarpa gregoria ( I think) Spinifex Snow - description on back of drawing.
Description on back of drawing : Louie an aboriginal worker at Aileron Station used to get it for Mrs (Elsie )Cobson (later Nolan) to send to me. Was never able to paint it from the plant and it faded when sent in. An exquisite blossom that grows close to the ground in Spinifex country hence the name Spinifex Snow : Watercolour on card sketched by Olive Pink, "Native Gap" ( Aileron Stn.), 1960. Identified by Olive Pink as Macrocarpa gregoria ( I think) Spinifex Snow .
Photograph of Malunnah at Orford, Tasmania. Built by writer & artist Louisa Anne Meredith and her husband Charles. The Merediths lived at the house from 1868 until 1888. This photograph was taken by Miss F.M. Kennedy of Swansea
Photograph of road to Mt Wellington showing man with a gun hunting. Taken in about 1870 by Alfred Winter, who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Lantern slide of maps of Tasmania. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Papers of Margaret Sturge Watts include photo albums of relief work in Central Europe after World War I, an autograph album, visitors books, journals, an unpublished autobiography, newspaper cuttings and miscellaneous items including the notification and congratulatory letters for Margaret Watts' MBE in 1957 for her work in the 'assimiliation of new settlers.'
Photograph of Marjorie Blackwell baking scones at her 'dream home' -'Climar', Campbelltown, Tasmania - which she and her first husband Cliff Blackwell built in 1955