Collection of 3 photographs. A young man, wearing high collar and lilies of the valley in buttonhole; young lady with long hair, sailor type hat with flower and feather, white collar; young lady with hair combed back from face, white front on dark dress with bunched shoulders, tucked sleeves and bodice.
Lantern slide of Wybalena, Flinders Island. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Photograph of Wood's huts at the Springs, Mount Wellington, in 1870 with old couple and younger gentleman and boy sitting outside. On the reverse of the photo post card 'Do you remember them. Huts and old Mr. and Mrs. Wood'.
Lantern slide of Wood's hut, the Springs, Mount Wellington, Hobart. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Unidentified daguerreotype in a plain leather and velvet case of a woman, seated, wearing bonnet with white ribbons and flowers, holding parasol, background of classical pillars, head lightly coloured.
Ambrotype in case of a woman, seated, youngish, hair straight, drawn back off face, lace collar, gold chain, background drapery and vase of roses. Head, chain and background lightly coloured. in a case of tooled imitation leather, lined with red velvet.
Ambrotypes in case of two unidentified portraits. Woman in left side of case and on right side man, seated, thin face, side -burns, white shirt. Background of drapery and mountain view. Head lightly tinted, shirt front painted white. two portraits in oval frames in one case.
Photograph of Elizabeth Street, Hobart, looking towards the harbour with Westella and the Memorial Congregational Church in the foreground. Taken prior to The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Lantern slide of West Australian aboriginal stone implements. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Two wedding cards with decorative scalloped edges attached together with metallic beaded clip, one smaller, inscribed Mrs D.F. Jobson and D.F. Jobson in a silver embossed envelope with decorative seal addressed Mr & Mrs G.W. Walker
Two wedding cards, one smaller, inscribed Mr & Mrs W.E. Shoobridge in envelope addressed Mrs Walker. On verso of envelope flap written nee Annie B Mather.
Photograph of Webb's Hotel, later Hadley's, Murray Street, Hobart, Tasmania, in about 1880. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Photograph of Webb's Hotel, later Hadley's, Murray Street, Hobart, in about 1877. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart, from 1865 until 1918.
Photograph of Stony Steps or Waterworks Valley, Hobart, Tasmania with Livingstone's house Marydale in the foreground and the Waterworks dam in the background, c.1870.
Photograph of Waterloo House Private Boarding Establishment on the corner of Murray and Davey Streets, Hobart c.1893 with an electric tram in the background.
Photograph of Waterloo House on the corner of Murray and Davey Streets, Hobart, Tasmania in 1880. The photographers were Anson Brothers whose firm was located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891.
Lantern slide of Waterloo Hotel on the corner of Murray and Davey Streets, Hobart - from a painting dated 1832. Renamed Waterloo Tavern in 1842. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide from the collection of James Backhouse Walker of waterfront buildings and Salamanca, Hobart,Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.
Photograph collection consists of Walker family photographs and photographs of local Tasmanian scenes. Some unidentified portraits by unknown photographers. Daguerreotypes, ambrotypes, carte de visite, cabinet portraits, stereoscopic views, Hobart streetscapes and Tasmanian scenes
The papers consist mainly of family correspondence of G.W. Walker and his children and a few diaries and miscellaneous papers. James B. Walker's letters to his sisters, particularly letters to Mary Augusta while she was over seas are especially descriptive of his activities and of Hobart life. Mary Walkers' letters from London describe her life as a student in London and her correspondence with friends met then contain references to artists, especially women painters and sculptors. This collection is complemented by - AU TAS UTAS SPARC 2007/1 - https://sparc.utas.edu.au/index.php/walker-family-papers-2007
Lantern slide of view of the Derwent River, Hobart. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994. 1994.
Photograph from the collection of James Backhouse Walker of a view of Hobart from West Hobart. Looking down Murray & Harrington Streets. The photographer is Henry Hall Baily who had studios in Elizabeth and Liverpool Streets Hobart from 1865 until 1918.
Photograph of ships on the Derwent River taken from the roof of Government House, Hobart, Tasmania in 1882. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Photograph of view from the Botanical Gardens, Hobart, Tasmania in about 1880. Three Norfolk Island pines dominate the foreground and the view looks out to the River Derwent and Eastern Shore. The photographers were Anson Brothers, whose firm was located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891.
Photograph from the collection of James Backhouse Walker of a view of Hobart looking towards the Eastern Shore. The panorama has been taken from Mr. Roberts' garden with various shrubs and a Norfolk Island pine in the foreground. Henry Hall Baily is the photographer. He had studios in Elizabeth and Liverpool Streets Hobart from 1865 until 1918.
Photograph from the collection of James Backhouse Walker of a view of Hobart looking towards the Eastern Shore. The panorama has been taken from Mr. Roberts' garden with various shrubs and a Norfolk Island pine in the foreground. Henry Hall Baily is the photographer. He had studios in Elizabeth and Liverpool Streets Hobart from 1865 until 1918.
Photograph of view from Government House looking over a vegetable garden and orchard which could either be in the Government House or Botanical Gardens grounds with the River Derwent and Mt. Direction in the background.
Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)
Photograph of the Union Chapel, Bathurst Street, Hobart. View of the interior (looking down over the pews towards dais and railed chancel, hanging lamp and windows (which are overexposed and faint). Now "The Playhouse"
Lantern slide of a tree marked by aborigines at Tedworth. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Photograph of the track to Fern Tree Bower, Mount Wellington before taken prior to 1879 by Anson Brothers who had studios in Liverpool, Collins, and Elizabeth Streets between 1878 and 1891.
Photograph of the Tasmanian Club formally the Derwent Bank, and Walch's building with a landau outside. The Tasmanian Club is a Georgian style building designed by architect James Alexander Thomson and built in 1846 for banker and merchant Captain Charles Swanston as the Derwent Bank. After the depression of the 1840's the Bank went into liquidation and the building was bought by the Tasmania Club in April 1873 and is still their residence today. The Tasmanian Club was established in 1861 in Hobart by seventy gentlemen. It was founded on the 'London pattern', that is, election or exclusion of candidates by ballot. The photographers are Anson Brothers whose firm was located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891.
Photograph of Macquarie Street Hobart, looking west in about 1870. The Bank of Van Diemen's Land and Hobart Town Hotel are in the foreground. The photographer is Henry Hall Baily who had studios in Elizabeth and Liverpool Streets between 1865 and 1918.
Lantern slide of aboriginal caves at Tedworth. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of Tasmanian aboriginal woman Truggeruana, native of Recherche. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994
Lantern slide of Tasmanian aboriginal woman and child 'after Labillardiere'. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994
Lantern slide of a Tasmanian aboriginal woman. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of Tasmanian aboriginal stone implements. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slides of Tasmanian aboriginal stone implement quarry, Plenty river. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of Tasmanian aboriginal profile. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of Tasmanian aboriginal man Woureddy, native of Bruni[Bruny]Island. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of Tasmanian aboriginal man Timmy, native of the East Coast. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of Tasmanian aboriginal canoe and baskets. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of maps of Tasmania. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Two photographs of Sunnyside, New Town, Tasmania, home of Thomas Daniel Chapman 1815-1884, Politician. Mt Wellington in distance. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Photograph of a ship with Sullivans Cove and Mount Wellington in the background taken from HMS Nelson in 1882. The photographer is Henry Hall Baily who had studios in Elizabeth and Liverpool streets Hobart from 1865 until 1918.
Lantern slide of Sullivans Cove, Hobart Town, Van Diemen's Land, in February, 1804. Inscribed with the words 'Water colour drawing in the possession of J. B. Walker Esq., Hobart, 1891'.
Photograph taken from Battery Point of Sullivans Cove. Taken from a garden with fountain in the foreground. Dated about 1876 and taken by photographer Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Photograph of Sullivans Cove and Hunter Island taken from the eastern end of Salamanca with garden in the foreground and two ships alongside the wharf. c.1880
Photograph from the collection of James Backhouse Walker of Sullivan's Cove in about 1870 according to a note on the reverse. Taken from around Victoria Dock, Old St David's cathedral in background. The photographer is Henry Hall Baily who had studios in Elizabeth and Liverpool Streets Hobart from 1865 until 1918.
Lantern slide from the collection of James Backhouse Walker of a streetscape in Hobart, Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.
Lantern slide from the collection of James Backhouse Walker of Stonemason's house, Hobart, Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.
Stereoscopic views (i.e. pairs of photographs, 2 & half ins. X 3 ins. Taken with twin lenses about 6 ins. apart and mounted to be viewed through a "stereoscope" to give a three dimensional effect). Most were made for general sale by S Clifford, Hobart Town (some also have the stamp of T Williamson, Chemist, or d'Emden, who presumably sold them). One is endorsed ms "M Allport 1862" (Queechy), a well-known amateur photographer, and a few are on plain, unprofessional mounts, one of these being initialed in pencil "J M W".
Photograph of St. Mary's Cathedral in Harrington Street in about 1870. Henry Hall Baily is the photographer. He had studios in Elizabeth and Liverpool Streets Hobart from 1865 until 1918.
Photograph of Macquarie Street Hobart including St. Joseph's Catholic Church c. 1870. The view is looking west. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets Hobart from 1865 until 1918.
Photograph of St. John's Street, Launceston with St. John's Anglican Church and Chalmers Free Presbyterian Church on opposite sides of the street. The photographer was William Cawston who had studios in Paterson and St. John Streets, Launceston from 1863-1891.
Photograph of St. John's Church Goulburn Street, Hobart taken c1880 the photographers were Anson brothers whose firm was located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891
Lantern slide from the collection of James Backhouse Walker of St. David's Park, Davey Street, Hobart, Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994. Quaker Collection.
Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)
Lantern slide of Solomon Islander making fire. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Photograph from the collection of James Backhouse Walker of the Hobart waterfront taken in about 1870 with a view of ships moored next to the Salamanca warehouses. The photographer is Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart, from 1865 until 1918.
Photograph of the Ship Inn on the corner of Elizabeth and Collins Streets, Hobart in about 1881. The photographer is Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Photograph of the Ship Inn on the corner of Elizabeth and Collins Streets, Hobart. In 1881 the proprietor was Mr J. C. Hadley . The photographer is Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Photograph of Sarah Island, convict settlement. Photographed "from a watercolour in the possession of James B Walker, made by a prisoner at the settlement and given to George Washington Walker on his visit there in the year 1832" (endorsed ms by? J B Walker)